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17 U.S.C. § 1001Definitions

submitted 34 years ago by Pub. L. 102-563 to r/title-17-COPYRIGHTS · 967 words · no verdicts yet

in plain englishAI-generated · not legal advice

This section defines terms used in the chapter about digital audio recording.

The terms mean: (1) “Digital audio copied recording” is a digital reproduction of a digital musical recording, made directly from another such recording or indirectly from a transmission. (2) “Digital audio interface device” is a machine or device specifically designed to send digital-audio information and related interface data to a digital audio recording device through a nonprofessional interface. (3) “Digital audio recording device” is a commonly distributed machine or device for individual use, whether separate or part of another device, designed or marketed mainly and capable of making a digital audio copied recording for private use. It excludes professional-model products and dictation machines, answering machines, and other equipment mainly designed and marketed to record sounds fixed from nonmusical sounds. (4)(A) “Digital audio recording medium” is a material object commonly distributed to individuals and mainly marketed or commonly used by consumers to make digital audio copied recordings with such a device. (B) It excludes an object that already contains a sound recording when first distributed by the importer or manufacturer, and one mainly marketed and commonly used to copy motion pictures or other audiovisual works or nonmusical literary works, including computer programs or databases. (5)(A) “Digital musical recording” is a material object containing, in digital format, only sounds and any material, statements, or instructions incidental to them, from which the sounds and material can be perceived, reproduced, or communicated directly or with a machine. (B) It excludes an object whose sounds are entirely spoken-word recordings and one containing one or more computer programs, but it may contain statements or instructions that are part of the sounds or incidental material or that help perceive, reproduce, or communicate them. (C) “Spoken word recording” means a recording containing only spoken words, though incidental music or other sounds may accompany them. “Incidental” means related and relatively minor by comparison. (6) “Distribute” means sell, lease, or assign a product to United States consumers, or in the United States for ultimate transfer to them. (7) “Interested copyright party” means: (A) the exclusive-right owner under section 106(1) to reproduce a lawfully made and distributed recording of a musical work embodied in a digital or analog musical recording; (B) the legal or beneficial owner, or controller, of the right to reproduce such a musical work in such a recording; (C) a featured recording artist performing on a distributed sound recording; or (D) an association or organization representing those persons or licensing musical-work rights for writers and publishers. (8) “Manufacture” means produce or assemble in the United States; a “manufacturer” is someone who does so. (9) “Music publisher” means someone authorized to license reproduction of a particular musical work in a sound recording. (10) “Professional model product” means an audio recording device designed, made, marketed, and intended for recording professionals’ ordinary lawful business use, under Commerce Secretary regulations. (11) “Serial copying” means digitally duplicating a copyrighted musical work or sound recording from a digital reproduction of a digital musical recording. A digital musical recording distributed by the copyright owner for ultimate consumer sale is not such a reproduction. (12) “Transfer price” means, subject to (B), for an imported product its actual United States Customs entered value excluding freight, insurance, and duty, and for a domestic product the manufacturer’s transfer price, FOB the manufacturer and excluding direct sales or excise taxes. If related entities or one entity transfer the product, the price may not be below a reasonable arm’s-length price under regulations adopted under section 482 of the Internal Revenue Code of 1986 or a successor provision. (13) “Writer” means the composer or lyricist of a particular musical work.
the actual law source: uscode.house.gov ↗public domain

As used in this chapter, the following terms have the following meanings:

(1)

A “digital audio copied recording” is a reproduction in a digital recording format of a digital musical recording, whether that reproduction is made directly from another digital musical recording or indirectly from a transmission.

(2)

A “digital audio interface device” is any machine or device that is designed specifically to communicate digital audio information and related interface data to a digital audio recording device through a nonprofessional interface.

(3)

A “digital audio recording device” is any machine or device of a type commonly distributed to individuals for use by individuals, whether or not included with or as part of some other machine or device, the digital recording function of which is designed or marketed for the primary purpose of, and that is capable of, making a digital audio copied recording for private use, except for—

(A)

professional model products, and

(B)

dictation machines, answering machines, and other audio recording equipment that is designed and marketed primarily for the creation of sound recordings resulting from the fixation of nonmusical sounds.

(4)
(A)

A “digital audio recording medium” is any material object in a form commonly distributed for use by individuals, that is primarily marketed or most commonly used by consumers for the purpose of making digital audio copied recordings by use of a digital audio recording device.

(B)

Such term does not include any material object—

(i)

that embodies a sound recording at the time it is first distributed by the importer or manufacturer; or

(ii)

that is primarily marketed and most commonly used by consumers either for the purpose of making copies of motion pictures or other audiovisual works or for the purpose of making copies of nonmusical literary works, including computer programs or data bases.

(5)
(A)

A “digital musical recording” is a material object—

(i)

in which are fixed, in a digital recording format, only sounds, and material, statements, or instructions incidental to those fixed sounds, if any, and

(ii)

from which the sounds and material can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.

(B)

A “digital musical recording” does not include a material object—

(i)

in which the fixed sounds consist entirely of spoken word recordings, or

(ii)

in which one or more computer programs are fixed, except that a digital musical recording may contain statements or instructions constituting the fixed sounds and incidental material, and statements or instructions to be used directly or indirectly in order to bring about the perception, reproduction, or communication of the fixed sounds and incidental material.

(C)

For purposes of this paragraph—

(i)

a “spoken word recording” is a sound recording in which are fixed only a series of spoken words, except that the spoken words may be accompanied by incidental musical or other sounds, and

(ii)

the term “incidental” means related to and relatively minor by comparison.

(6)

“Distribute” means to sell, lease, or assign a product to consumers in the United States, or to sell, lease, or assign a product in the United States for ultimate transfer to consumers in the United States.

(7)

An “interested copyright party” is—

(A)

the owner of the exclusive right under section 106(1) of this title to reproduce a sound recording of a musical work that has been embodied in a digital musical recording or analog musical recording lawfully made under this title that has been distributed;

(B)

the legal or beneficial owner of, or the person that controls, the right to reproduce in a digital musical recording or analog musical recording a musical work that has been embodied in a digital musical recording or analog musical recording lawfully made under this title that has been distributed;

(C)

a featured recording artist who performs on a sound recording that has been distributed; or

(D)

any association or other organization—

(i)

representing persons specified in subparagraph (A), (B), or (C), or

(ii)

engaged in licensing rights in musical works to music users on behalf of writers and publishers.

(8)

To “manufacture” means to produce or assemble a product in the United States. A “manufacturer” is a person who manufactures.

(9)

A “music publisher” is a person that is authorized to license the reproduction of a particular musical work in a sound recording.

(10)

A “professional model product” is an audio recording device that is designed, manufactured, marketed, and intended for use by recording professionals in the ordinary course of a lawful business, in accordance with such requirements as the Secretary of Commerce shall establish by regulation.

(11)

The term “serial copying” means the duplication in a digital format of a copyrighted musical work or sound recording from a digital reproduction of a digital musical recording. The term “digital reproduction of a digital musical recording” does not include a digital musical recording as distributed, by authority of the copyright owner, for ultimate sale to consumers.

(12)

The “transfer price” of a digital audio recording device or a digital audio recording medium—

(A)

is, subject to subparagraph (B)—

(i)

in the case of an imported product, the actual entered value at United States Customs (exclusive of any freight, insurance, and applicable duty), and

(ii)

in the case of a domestic product, the manufacturer’s transfer price (FOB the manufacturer, and exclusive of any direct sales taxes or excise taxes incurred in connection with the sale); and

(B)

shall, in a case in which the transferor and transferee are related entities or within a single entity, not be less than a reasonable arms-length price under the principles of the regulations adopted pursuant to section 482 of the Internal Revenue Code of 1986, or any successor provision to such section.

(13)

A “writer” is the composer or lyricist of a particular musical work.

Source credit: (Added Pub. L. 102–563, § 2, Oct. 28, 1992, 106 Stat. 4237.)

history & why it existsrecord from the source credit
  • 1992Enacted · Pub. L. 102-563 · 106 Stat. 4237

A history note hasn’t been published yet. The record shows enactment by Pub. L. 102-563 on 1992-10-28.

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